Archives de catégorie : Culture

On a night out in Dubai

In certain social settings, admitting to having never visited a nightclub or bar in Dubai in 13 months here is more shameful than the lesser confession of not owning a car. At certain times in my life I’ve been clubbing quite a lot, but in Ivory Coast there was a definite shift away from clubbing around the time I got married, which coincided with me disconnecting slightly from the expat scene. It is also true that night clubs tend to be viewed in Ivorian moral society as dens of iniquity, and attendance is highly frowned on. My experience in the Western church is that providing your behaviour in such places is godly, I’ve never heard outright condemnation of them as physical places.

For me, I don’t think I’ve quite resolved the question of whether, if you’re not wanting to get drunk or pick up members of the opposite sex, nightclubs are places worth going to. I think I’d still tentatively answer yes, and my justification would be that it’s good to be spending time with friends, and music and dance are often creative and good activities, which are hard to experience in the same way elsewhere. My wife would say that I should instead be dancing in church, though a) that doesn’t really take place in churches I go to outside of Africa, and b) I find it hard to dance to church because I worry that the ‘feel good factor’ comes from the simple act of dancing, and not necessarily some sort of response to God.

Anyway, that’s all a typically long-winded introduction to say that I went to a nightclub for the first time on Thursday night. And it happened to apparently be one of Dubai’s most exclusive. The newly opened White’s is at the racecourse grandstand complex, and being slightly away from the main city, has a great view over the Burj Khalifa and surrounding skyline. The parking lot was the most impressive I think I’ve ever seen – Lamborghini, Ferrari, Porsche, Bentley and a half gold Bugatti Veyron (without a normal license plate but simply the three Arabic letters that spell out ‘important’, a friend told me).

Prestige nightclubs have a common tactic – try to make you feel as lucky as possible that they actually let you in. As a man you feel decidedly like a second class citizen, and as part of a group that was heavily weighted to the male end of the scale, we had long delays getting various friends in, which rather broke up in the evening. The club is on the top floor, and exposed to the elements (not sure what happens in the hot and humid summers). The place was designed as a large bowl with walls of screens around the outside. The bar area was in the centre with occasional lycra-clad trapeze dancers climbing up to large rings that hung from the ceiling. The place was packed by around 1am, with a good mix of nationalities – wealthy Arabs, Indians and Russians seemed present in large numbers.

These are not the sort of places that do much to affirm you – if you’re a man, you’re already a lesser being, and without Hollywood-looks or buckets of cash you can never be much more than a fly on the wall. A couple of men in our group gave me a melancholy talk on how materialistic they said all girls become after just a few months in Dubai, and that keeping a girlfriend requires having a large bank balance (‘you pay, they stay’). I’ve never seen a club with such a large staff, eager to stop people getting out of their zones. Given we hadn’t paid for a place at the bar or a table (incredible prices that I can’t remember), we were left in the sort of corridor area around the central bar, and people were constantly passing by and shuffling through. Make the mistake of placing your drink momentarily on the bar, and you were quickly clamped down on.

The overall feeling was one of celebrity and one-up-manship rather than decadence – there were plenty of couples, but I only saw one couple kissing (something that in other parts of the city could get you thrown in prison). But I understand other clubs in the city more closely resemble a student night at a UK university town. I usually enjoy the music at clubs, be it rnb, rap, funk, dance or pop, but this place didn’t quite hit the mark for me. Where DJs in Ivory Coast might be constantly name-calling the big cheeses in the house, here the equivalent seemed to be ordering a round of drinks that came replete with fireworks to draw everyone’s eyes to the order. In one case, champagne bottle about a metre high was held aloft and transported in a blaze of fire crackers.

To finish on a positive note, it was fun to be out with friends, and the night finished with a quick stop in a Lebanese fast food place that agreed to serve us despite closing down for the night. Within the club, there was a lot of (alcohol-fuelled) warmth between strangers than I’ve seen elsewhere in the city, and there was a certain camaraderie. One friend seemed to really enjoy the mix of cultures all enjoying themselves.

Reading in 2013

For the last few years, I’ve kept a note of books read, and here’s the 2013 list below (with previous years included as well for comparison). Twenty-three isn’t bad I suppose, though it’s been nice in the past to get over thirty. The risk as my friend H pointed out to me today is that you risk reading books to the finish, even if they’re not very good, just to be able to add them to a list.

A good mix of reads. As ever, I’m torn between wanting to be widely read across a broad range of areas and wanting to dive in deep. It would be good to read more Christian books I think. It has been fun setting up a book club with friends here, which has pushed me to read more.

This was the year I started using a Kindle after leaving Abidjan with two suitcases, one carrying little more than heavy, physical books. I’ve quickly become a fan, and my Kindle is now overloaded with a portable collection of (mostly unread) books. It’s almost always with me, and it’s cool to have the Bible, the Quran, the classics of Russian literature and the complete essays of Montaigne in my bag for almost zero cost and minimal carrying weight. I’ve got into the habit of buying books that I’d always half-remembered meaning to read, which means (I think) that it’ll be read at some point in the future.

I think ‘Ghana Must Go’, would get my vote as the stand-out personal read of the year.

2013

  1. Hotel Africa, by Pascal Zachary
  2. Four hour working week, by Tim Ferris
  3. Wolf hall, by Hilary Mantel
  4. Burqalicious, by Becky Wicks
  5. Dubai Dreams, by Raymond Barrett
  6. Dubai – the story of the world’s fastest city, by Jim Krane
  7. The politics of aid, by John Holmes
  8. Bring up the bodies, by Hilary Mantel
  9. How Proust can change your life, by Alain de Botton
  10. Choose Yourself, by James Altucher
  11. The Ringtone and the Drum, by Mark Weston
  12. And the Mountains Echoed, by Khalid Hossein
  13. Africa, by Richard Dowden
  14. Driving over lemons, by Chris Stewart
  15. Ghana Must Go, by Taiye Selasi
  16. Five star billionaire, by Tash Aw
  17. A Letter concerning religious toleration, by John Locke
  18. See No Evil, by Robert Baer
  19. White Mischief, by James Fox
  20. Quiet: The power of introverts, by Susan Cain
  21. The Communist Manifesto, by Karl Marx and Frederic Engels
  22. Zanzibar Chest, by Aidan Hartley
  23. Chasing Chaos, by Jessica Alexander

 

2012 (target = 35)

  1. Practical DV filmmaking, by Russell Evans
  2. Writing for pleasure and profit, by Michel Legat
  3. The Origins of Aids, by Jacques Pepin
  4. Notre Abidjan, by Henriette Diabate et al
  5. Une Passion Interompue, by Yehni Djidji
  6. East and West: Understanding the rise of China, by Y J Choi
  7. Pride and Prejudice, by Jane Austen
  8. 1493, by Charles Mann
  9. Understanding the Bible, by John Stott

 

2011 (target = 35)

  1. Hudson Taylor biography
  2. BBC Editorial Guidelines
  3. Vernon God Little, by DBC Pierre
  4. Jeffrey Archer; Stranger than fiction, by Michael Crick
  5. Chocolate Nations, by Orla Ryan
  6. The Masculine Mandate, by Richard Philips
  7. The Wretched of the Earth, by Franz Fanon
  8. Karl Marx, by Francis Wheen
  9. Counterfeit gods, by Tim Keller
  10. The Master of Petersburg, by J. M. Coetzee
  11. How Soccer Explains the World, by Franklin Foer
  12. Double Cross, by James Patterson
  13. The Trouble with Africa, by Robert Calderisi
  14. Motty’s Diary – a year in the life, by John Motson
  15. The Wretched of the Earth, by Franz Fanon
  16. Hacks, by Christopher S. Wren
  17. God save the team, by Eddy Brimson
  18. La Loi relative a la presse, by Legis-ci
  19. Purple Hibiscus, Chimamanda Ngozi Adichie
  20. Making War in Cote d’Ivoire, by Mike McGovern
  21. The Ghost of Che Guevara, by Jason Webb
  22. A Good Man in Africa, by William Boyd
  23. Jaguars and Electric Eels, by Alexandar von Humboldt
  24. Ghosts and other plays, by Henrik Ibsen
  25. The Catcher in the Rye, by J. D. Salinger
  26. New African Fashion, by Helen Jennings
  27. The Age of the Infovore, by Tyler Cowen
  28. Meme au paradis on pleure quelquefois, by Maurice Bandaman

 

 

2010 (target = 35)

  1. Les Fracades d’Ebintou, Amadou Koné
  2. The Glory of Christ, Peter Lewis
  3. The World is what it is: authorised bio of V.S. Naipaul, Patrick French
  4. Pour une Refondation de la Filiere, Isidore S. Allah
  5. Cote d’Ivoire : Batir la paix sur la democratie et la prosperite, L. Gbagbo
  6. Across the Empty Quarter, Wilfred Thesiger
  7. Aya de Yopougon, vol 4
  8. Bitter Chocolate, Carol Off
  9. Damp Squid, Jeremy Butterfield
  10. The View from the Foothills, Chris Mullin
  11. Oxford Book of Essays
  12. Bleak House, Charles Dickens
  13. The Insider, Piers Morgan
  14. Tropical Gangsters, Robert Kiltgaard
  15. Show me the magic, Travels round Benin by taxi, Annie Caulfield
  16. Radical Discipleship, John Stott
  17. A Handful of Dust, Evelyn Waugh
  18. Pleasures and Sorrows of Work, Alain de Botton
  19. Fiesta: The Sun Also Rises, Ernest Hemingway
  20. The Great Divergence, Pomerand
  21. The lady and the unicorn, Tracey Chevalier
  22. Elephants, Lions and Eagles, Filippo Maria Ricci
  23. A Thousand Splendid Suns, K. Hossein
  24. Notes from Canada’s Young Activists
  25. The Snows of Kilimanjaro, Ernest Hemingway
  26. Industry and Empire, Eric Hobsbawm
  27. Alassane Ouattara – Une Vie singulaire, Cisse Bacongo
  28. The Customs of the Kingdom of India, Marco Polo
  29. Angela’s Ashes, Frank McCourt
  30. Travels in Mauritania
  31. The Cobra’s Heart, Ryzard Kapuscinskis
  32. Promiscuities, Naomi Wolf

 

2009 (target = 30-50)

  1. The Bottom Billion, Paul Collier
  2. Sold as a Slave, Olaudah Equiano
  3. Breaking news, Martin Fletcher
  4. The Meaning of Things, A. C. Grayling
  5. Intimate Issues
  6. Money, Martin Amis
  7. Communism, Richard Pipes
  8. Foreign to Familiar, S. Lanier
  9. The No. 1 Ladies’ Detective Agency, A. M. Smith
  10. La Vie de Pahé, Pahé
  11. La Vie de Pahé II, Pahé
  12. The Other, Kapuscinski
  13. On Being a Photographer, Bill Ayers and David
  14. Devoir des Mesonges, Fauston Toha
  15. Atonement, Ian McEwan
  16. Harry Potter & the Philosopher’s stone, J. K. Rowling
  17. Scaling the Secular City, J. P. Moreland
  18. Negreries, Venance Konan
  19. Making History, Stephen Fry
  20. La Richesse Appauvrie, Zokou Gogoua
  21. The Four Loves, C. S. Lewis
  22. Fighting Fat, Fighting Fit, Janette Marshall
  23. Petit Futé Cote d’Ivoire, Elodie V
  24. Modern Manners, P. J. O’Rouke
  25. Dreams of my Father, Barack Obama
  26. To the Holy Shrines, Sir Richard Burton
  27. Ma part des verities, Charles Blé Goudé
  28. D’un stad a l’autre, Chalres Blé Goudé
  29. Dreams from my father, Barack Obama
  30. La Jalousie qui detruit, Harold Kalleymeyn

 

2008 (target was a book every fortnight = 26)

  1. Brazzaville Charms, Cassie Knight
  2. Travels with Herodotus, Ryzard Kapuscinski
  3. Freakonomics, Steven D. Levitt and Stephen J. Dubner
  4. Aya de Yopougon, vol. 1
  5. Aya de Yopougon, vol. 2
  6. A Year in the Merde, Stephen Clarke
  7. Notes from Underground, Fyodor Dostoevsky
  8. The Africans, David Young
  9. The Songlines, Bruce Chatwin
  10. Waiting for the Barbarians, J. M. Coetzee
  11. Confessions of a Philosopher, Bryan Magee
  12. The Sand Café, Neil MacFarquhar
  13. Generation X, Douglas Copeland
  14. As I Lay Dying, William Faulkner
  15. Hustling is not a crime, John Chernoff
  16. Hard Times, Charles Dickens
  17. Aya de Yopougon, vol. 3
  18. Becoming a stringer
  19. The CEO of the sofa, P. J. O’Rouke
  20. Cry, the Beloved Country, Alan Paton
  21. According to Queeny, B. Bettybridge
  22. Robert et Catapila, Venance Konan
  23. Bridge-building, Alistair McGrath
  24. Travels in eastern Russia, Checkov
  25. Provided you don’t Kiss me, Duncan Hamilton
  26. Gilead, Marilynne Robinson

Good films

On the seven hour flight from Dubai to London, I caught a couple of decent films – the Steve Jobs movie and Elysium. But otherwise, among the hundred-odd other films on offer there wasn’t anything else of particular interest. There’s certainly been a dry spell at the cinemas that has worked its way on to the airline film offerings. But it did strike me that having watched four very good films at the Dubai film festival, each very different, that there was a contrast to the more commercial offerings on the plane. That’s why I think film festivals are so precious – the Cine Libre festival organised by the Goethe Institut in Abidjan was one of my favourite cultural events of the year. The people in charge of curating the programme really do a good job of selecting good films – I’m sorry I didn’t attend a single film screening at the Dubai film festival last year.

Jazz fans

There aren’t too many dynamic spots in Dubai’s cultural landscape. It has a reputation as a rather materialistic place for people who like to show off – celebrity is praised here rather than cerebral power. One interesting feature though is the city’s Magazine shop, which recently opened in (or rather shifted location to) Media city. On the surface, it’s just another trendy coffee bar, albeit based around magazines. But they try to organise special evenings, and create a buzz, and so they have inevitably become something of a focal point for the trendy and bohemian. The shop works closely with a few cultural venues in the same vein – The Archive, The Pavilion and another one in Al Quoz whose name escapes me.

This weekend they had an outdoor fair around The Archive, which is located in Safa park. The park is one of the city’s principal green spaces – although the extension of the Creek from Business bay back to the sea is going to destroy about a third of the park. Characteristically for Dubai I haven’t heard anyone object to the plans.

The party was a pleasant event with stalls arranged in a circle selling homemade cakes, magazines, vinyl records and other bric-a-brac. It felt retro, which I think was the aim. A jazz band entertained the crowd playing all the usual cheesy favourites. Jazz seems to be the ideal soundscape for the trendy, cool and young. Taiye Selasi’s landmark blog post that did much to launch the concept of the ‘Afropolitan’ pointed to young trendy Africans happy combining Western and African urban influences and going to bars playing jazz (recently criticized here). In a different region, jazz also seems to be the right sound track for those wanting to make statements about how cool and non-conformist they are.

Still, as my friend H says, perhaps I should have just turned off my critical voice, sat down in the sun and enjoyed myself with an organic gourmet burger.

Amour – an Ivorian take

Last night, it was my wife’s birthday, so I thought it would be a good time to watch a story of an old couple, getting older, and eventually dying. Such cheerful stuff could only be made by the French – and in this case it was ‘Amour’, the French film which won the Palme d’Or at Cannes in 2012. It was interesting listening to my wife’s commentary throughout the film. The big thing that shocked her was that this old couple were trying to survive with zero support from their children – that it was the old man taking care of his old wife (with state support) while the daughter just showed up to visit and say hello. The apartment they lived in certainly felt very empty – hard to imagine a similar situation in Ivory Coast. Most Africans in my experience feel old people’s homes are deeply uncivilized.

The second thing my wife found shocking was the complete absence of any sense of belief in the afterlife.

I’m still very much a product of a Western and largely secular society. But my wife helps me see how what I take to be largely normal, is actually rather shocking. It is strange to see an old couple who’ve had children rattling around a flat at the end of their life in apparent abandonment, instead of being celebrated.

The film is a healthy reminder of our sad earthly fate. In a blink of an eye we will be old and frail, possibly in pain, and (if we’re lucky) thinking about the end. For me, the injustice (or rather perhaps the unnaturalness) I feel about death points me to a deeper meaning to humanity and strengthens my faith in God.